A communist POW sides with his North Korean guards against his fellow prisoners.

A pilot of a B 29 meets Louise Anderson, a singer in a New York nightclub. He falls in love with her, but he had to leave next day for action in the Pacific. He lets paint her picture on his bomber, the "Bamboo Blonde" and becomes a hero with his crew sinking a Japanese battleship and shooting down a Japanese fighter wing. Back in New York, he leaves his fiancée and engages him to Louise.

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A successful Paris magazine proprietor embarks on a destructive voyage of self-discovery after his wife shoots dead her own sister, with whom he has had an affair for several years.

In a Thai village childhood friends Kwen and Sompan are looking forward to make the world a better place within their ideology and beliefs. Kwen is a communist and Sompan is a monk. The film is a subtle metaphor for the troubled Thai political situation of the 1970's.

Bamboo-Lee, Dah-Lee and Slo-Lee are three bears with a goal: to save the world before more species become extinct. But can the bears stand up to the spineless villains behind Ratco Corporation?

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Fangavaktin is the sequel to the Icelandic television series Dagvaktin and the final series in the trilogy. The three main characters from Næturvaktin, Georg Bjarnfreðarson, Ólafur Ragnar and Daníel, have become imprisoned in the infamous Litla-Hraun prison following the murder of the hotel owner in Dagvaktin. The story is continued, and brought to a conclusion, in the feature film Bjarnfreðarson.The first episode was broadcast on Stöð 2 on Sunday, 27 September 2009, and an episode was broadcast each following Sunday until the final seventh episode aired on 8 November 2009. The series has been released on DVD.

An innocent woman stranded in a storm of accusations thats causing her ruin,her journey with a lawyer to prove her innocence and get justice against who's causing the scandals and davastating her reputation.

Survivors of violent crimes and prisoners incarcerated for murder connect to undergo astonishing transformations, liberating themselves from the debilitating constraints of trauma, and shattering preconceptions of "us and them."